Kategorie

Platner Stool

Designed by Warren Platner, 1966

In 1966 the Platner Collection captured the “decorative, gentle, graceful” shapes that were beginning to infiltrate the modern vocabulary. The pieces are created by welding hundreds of curved steel rods to circular frames, simultaneously serving as structure and ornament. 

Details  

FEATURES 

In the 1960s, Warren Platner transformed steel wire into a sculptural furniture collection, creating what is now considered a design icon of the modern era. 

CONSTRUCTION 

Vertical steel wire rods welded to circular horizontal and edge forming rods. 
Moulded fibreglass shell and foam cushion; cushion attaches to seat with Velcro.

FINISHES 

Available in a variety of fabrics and leathers.
Bright nickel finish with clear lacquer protection or painted bronze metallic.
This product is available with foam that meets requirements for BS5852.

AWARDS 

American Institute of Architects International Award, 1966. 

DIMENSIONS 

Platner Stool: 39cm D x 58cm H.

The Platner Lounge Chair is availabe in our internet store.

PRODUCT STORY

With his experience in the firm of Eero Saarinen and Associates, it is not surprising that the mantel for the second generation of pedestal and wire furniture fell on the creative shoulders of Warren Platner. Reflecting a dramatic shift in cultural values, modernism became more expressive in the 1960s. Platner felt there was an opportunity to merge the competing aesthetics of the time.

“I began to think about what I thought furniture, specifically a chair, really might be, starting with the philosophy that it isn’t going to be aggressively technological, or aggressively handicraft… I, as a designer, felt there was room for the kind of decorative, gentle, graceful kind of design that appeared in period style like Louis XV, but it could have a more rational base instead of being applied decoration… I thought why separate support from the object. Just make it all one thing. Starts at the floor and comes up and envelops me, supports me… What I wanted to achieve was a chair that, number one, was complementary to the person sitting in it, or to the person in the space between the wall and the chair — what the chair did for the person in respect to the scale of the person and the space.”

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