Designed by Studio 7.5
The Zeph Side Chair brings a new level of comfort and functionality to side chairs, offering the research-backed ergonomics of a task chair in a contemporary side-chair design. A unique hybrid with a range of uses, it works as well in individual work and small group settings as it does in educational settings. The advanced yet simple design offers more for less – more comfort, colours, and style – made using fewer components.
Setting out to animate a shell chair, the designers at Studio 7.5 used 3D printing to iterate through prototypes of the monoshell until they achieved something rare in a side chair: a recline that feels natural in a chair that moves with you. The geometry of the design allows your body’s pivot points to create the right counterbalance for a proper ergonomic sit – an experience that leaves you feeling supported and energised as you move in the chair, and about your day.
The chair’s optional, removable and interchangeable 3D-knit seat pad easily slides directly into the shell, no tools required, and can be swapped out for one of the other 20 textile colour options if your space needs a refresh. Plus, it’s made from 50% post-consumer recycled content, and because it’s knitted to the chair’s exact dimensions, there’s zero fabric waste.
The playful colour palette for the Zeph Side Chair’s shell and base was designed to complement and enliven the home, office, college campus, or anywhere in between, allowing you to get creative in pairing the chair with your unique sense of style. Enjoy the return of dipped-in-colour, one hue from top to bottom, which debuted on Zeph predecessor, Cosm.
About the Designer
Burkhard Schmitz and Carola Zwick started their studio as a team of six in Berlin in 1992. The group was looking for the freedom to work on projects that interested them, and for the freedom to do so without bosses or titles.
This is the way they’ve operated ever since. “Everybody does everything”, says Schmitz, speaking for the group that now includes Carola’s brother, Roland Zwick, and a small team of seven. “That’s how we cultivate ideas and maintain our openness and curiosity”.
The group’s name, Studio 7.5, comes from an early idea to rent a 7.5-ton truck, put a model shop in it and drive from one project site to another. Obviously, freedom of movement is important for these designers. They move freely – and smartly – when designing products for their clients.
Studio 7.5 believes that the complexity of design problems requires collaboration and repeated testing of ideas in full-scale models, until the most elegant answer emerges. “You really have to work in three dimensions when designing products”, notes Roland. “Computer drawings just don’t give you the feel, the touch, the smell”.
They love designing furniture, or as they prefer to call it, “equipment”, as in the tools people need for the work that they do. They find designing office chairs in particular to be the most rewarding and have worked with Herman Miller on the award-winning Setu, Mirra and Mirra 2 chairs, and now Cosm. “We define not only how the chair looks but how it performs”, Carola says. As to how Setu, Mirra and Cosm all perform for you, they provide comfort no matter how or where you sit. “Our goal is to enable people to assume roles similar to that of a craftsperson in their shop, surrounded by what he or she needs to be most productive.”
